• 陌路人恋曲

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      本片靈感來自真實故事,Patricia和Ikendu在瑞士的義大利小鎮相遇。他來自馬利,她是單親職業婦女,育有兩個女兒。Ikendu對於離開馬利的原因三緘其口,但他廚藝非常好,為Patricia混亂的生活帶來溫暖和穩定。婚後,兩人過著無憂無慮的生活,也不太過問雙方私事,但某天Ikendu被一名貪腐的警察當成毒販逮捕。兩人忽然發現對方隱瞞的事情,婚姻陷入考驗。有時兩人無言以對,有時則激烈爭執。身邊的世界突然變得難理解,卻也讓兩人的關係向前邁出了重要的一步。

  • 萌犬偷渡记

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    落魄的南賽樂手亞尼,受夠家鄉紛擾,準備在三天後出國尋找新生活,不料名為吉米罕醉克斯的愛犬竟然走失,打亂了他的如意算盤。原來狗兒誤闖邊境,跑過這條街就去了隔壁國,好不容易尋獲,卻因為邊境檢查哨嚴禁攜帶動物,無法帶回。無計可施又捨不得毛小孩的亞尼,只好在北賽討救兵,展開一場偷渡愛犬大作戰! 地中海東側的島國賽普勒斯,1974年起南北分治至今,南賽多為希臘裔,北賽多為土耳其裔,兩地歷史積怨深而長期敵對。導演將真實經驗改編為黑色溫馨喜劇,以萌犬誤觸政治雷區為引,舉重若輕地凸顯國界的荒謬,以及南北長期隔絕下的文化偏見與衝突,幽默諷喻媲美《三不管地帶》。

  • 庞贝城的末日

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    由都灵的Ambrosio公司拍摄于1908年,这是Edward Bulwer-Lytton历史小说诸多改编中的第一部,这部影片大获成功,从此意大利电影就与历史奇观片(historical spectacle)画上了等号。最后九分钟的血色庞贝的毁灭,运用了染色法

  • 米兰九口径

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    Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

  • 我的美人,我的美

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    A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers.

  • 意大利任务

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    该片被公认为英国电影的巅峰佳作之一,在英国电影学院评出的100部最佳英国电影中名列第36。片中汇集了大批当年英国影坛的红人。大盗查理(迈克尔·凯恩)刚出狱就急不及待要大乾一票,准备截劫从中国运到意大利的四百万美元黄金。查理在一名黑道头目资助下,展开了一个天衣无缝的盗金计划,出动了三架库珀豪华车、一队积架车及公车来堵塞交通。片中一幕宝马库珀豪华车(MINICooper)在好莱坞名人大道上疯狂地追逐,穿过地铁隧道入口,沿着只有迷你汽车才能行驶的狭窄小路狂奔,被认为是影史上经典飙车追逐场面,让观众体验到前所未有的紧张刺激......

  • 罗绍拉在十点钟

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      阿根廷版的“罗生门”。受黑泽明《罗生门》的影响很深,尤其表现在摄影镜头的运用上非常像,讲的是从一件离奇谋杀案中找出真凶的故事,但也有自己的特点。影片改编自阿根廷奇幻文学大师Marco Denevi的短篇小说,由著名剧作家Mario Soffici执导,是一部经典的阿根廷电影。1959年嘎纳最佳影片提名。

  • 牧羊人

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      根据同名小说改编:1957年平安夜一名德哈维兰吸血鬼的飞行员回家的故事,他的飞机在从德国北部的皇家空军赛勒到萨福克郡的拉肯海斯的途中遭遇了完全的电气故障。由于迷路于雾中,燃料不足,他被一架二战时期的德哈维兰蚊子战斗轰炸机的飞行员接见并带(或护送)到英国皇家空军的一个废弃的分散场,飞行员显然是被派来引导他的。  他试图为最终获救找到一个合理的解释,这和他的经历一样麻烦。然而,在他降落在机场后不久,虚构的英国皇家空军明顿,他得知他的救星是约翰尼·卡瓦纳,一个战时英国皇家空军飞行员,他曾驻扎在明顿,并曾引导残废的轰炸机回家。吸血鬼飞行员还了解到,卡瓦纳在最后一次任务中,即1943年圣诞夜,也就是整整14年前,在北海上空失踪。

  • 极限空间

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    伽罗华(阿雷胡·苏拉斯 Alejo Sauras 饰)、奥莉薇娅(伊莲娜·巴雷斯特罗斯 Elena Ballesteros 饰)、帕斯卡(桑提·米兰 Santi Millán 饰)和希尔伯特(路易斯·霍马 Lluís Homar 饰)分别是各自学术行业里的佼佼者,某一日,一封神秘的邀请函和一道诡异的谜题将四人聚集到了同一个房间之中。                                                                      然而,被困住的四人很快就发现,他们陷入了某人精心设计的“游戏”之中,如果不能正确回答一道又一道的谜题,他们终将被不断逼近的墙壁压成肉泥。在紧张的解题过程中,四人还必须相互试探彼此的真实身份以及找到其中的关联,紧张的氛围之中,高智商的四人组最终能够逃出生天吗?之后等待着他们的又会是什么呢?

  • 巨蟒2021美国版

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      在蜿蜒流长的亚马逊河流域的雨林深处,传说和秘密让雨林之外的人们振奋不已。在哥伦比亚的一次旅行中,一群大学生前往山区寻找洞穴绘画。没有想到恶梦却就此展开!未过多久,接连有人死亡。人们终于开始意识到此地的危险性他们的前方出现可以的滑行痕迹。一只一度被认为已经灭绝的50英尺长的巨蟒却潜伏在灌木丛中,渴望鲜血。它的鳞片比盔甲还要坚硬,视力范围是一般蛇的9倍,最骇人听闻的是有如无底洞的胃。这群大学生开始只能拼命的逃跑,但是无奈手无寸铁。根本没有能力抵抗。不过最终他们还是发现了蟒蛇的弱点,大家合力设计了一个陷阱,消灭了蟒蛇。

  • 胆包天

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      Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

  • 最终期限1984

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      horror film about a screenwriter who loses the ability to distinguish between his fantasy world and the real world

  • 公平游戏1986

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      A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little "fun" with her, too. Turns out that they may get a bit more "fun" than they bargained for.

  • 伟大的卡鲁索

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      这部电影追溯了男高音恩里科·卡鲁索(1873-1921)的一生。他爱他的家乡那不勒斯的穆塞塔,然后是多萝西,一位大都会歌剧院赞助人的女儿。卡鲁索对两个女人的父亲来说都是不可接受的:对一个来说,因为他唱歌;对多萝西来说,因为他是个农民。对纽约的贵族来说,卡鲁索身材矮小,胸膛圆润,声音洪亮,情绪化,没有教养。他们的欣赏来得很慢。影片描述了卡鲁索的感叹:“男人没有声音,声音有男人”:他不能成为他想去的地方,因为他必须在别处唱歌,包括他母亲去世的那天。从头到尾,马里奥兰扎和来自大都会的明星们一起歌唱。

  • 1860

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      意大利人民反抗侵略,战争场面拍的相当宏大,各种优美流畅的长镜头,演员表演内敛自然,这部电影标志着意大利的电影人已经掌握了非常娴熟全面的电影技艺,被誉为当时意大利电影的最高成就丝毫不为过

  • 圣诞顽童历险记

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      一个会玩电脑、动手能力超强的男孩和母亲、爷爷住在一栋大房子里,圣诞节他要求圣诞老人到家服务,结果上门的是个杀人的疯子!  他利用各种玩具、工具和疯子在家中周旋……最后带爷爷逃脱。

  • 赞美诗:莎拉·布莱曼演唱会

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      In celebration of her upcoming new album Hymn, best-selling soprano Sarah Brightman is in cinemas with an incredible performance. HYMN: Sarah Brightman In Concert was captured live for the big screen from the Festspielhaus in the enchanted Bavarian Alps, known for the historic and captivating Neuschwanstein Castle.  Staged in two acts, the 90-minute performance is a hybrid of a musical film, a classical-crossover program and a large-scale concert production. Brightman is accompanied by her band, the Bavarian Philharmonic orchestra, a 50-voice choir and the Ludwig Ensemble of dancers. The concert was conceived and created by Sarah Brightman, Anthony Von Laast, and Frank Peterson.

  • 战地新娘

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      亨利(加里·格兰特 Cary Grant 饰)是一名英俊帅气的法国军官,在前线,他结识了前来应援的美国陆军妇女队军官凯瑟琳(安·谢里登 Ann Sheridan 饰),尽管两人之间的交流经常伴随着吵吵闹闹,但随着时间的推移,亦产生了真挚而奇妙的感情。  战争结束后,亨利决定跟随凯瑟琳前往美国,结婚并开始幸福的生活,然而此时,一个难题却摆在了他们的面前,那就是亨利并不能取得美国的合法居留权。为了解决这个问题,亨利和凯瑟琳想了一个损招,那就是让亨利打扮成妇女队的军官,混进美国。让两人没有想到的是,这个看似完美的计划执行起来却遭到了诸多变故,他们能够获得最终的“胜利”吗?

  • 末日庞贝

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      庞贝大道玉辇过,金鞭络绎向帝国,火山宫殿烧焚尽,驱舟赶逃繁华落

  • 马卡里奧

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      Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

  • 空洞的夜

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      本片围绕着四个角色进行。晚上离开妻儿出门的卢悉奥(Luisinho)和刚结束一段感情生活的纳尔逊(Nelson)驾驶着汽车四处寻乐,以此打发晚上的空虚和无聊。几经周折之后他们找了两名三陪女子回到房间。整个夜晚四个人之间的关系不断发生微妙变化。该片前75分钟全部为夜景,配以略带诡异感觉的钢琴曲,整部作品偏现代。  沃尔特·雨果·克霍里(Walter Hugo Khouri)(1929.10.21-2003.6.27)号称是巴西电影界的伯格曼,《空洞的夜》(1964)《燃烧的躯体》(1966)和《好色之徒》(1968)是他的人性三部曲,在他的影片中充满着存在主义的疑问、角色复杂内心的独白和现代主义的电影语言。本片是向安东尼奥尼《蚀》的致敬之作,入围了1965年法国戛纳电影节,是一部精致的巴西新浪潮艺术电影。

  • 香蕉的混蛋

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    六个年轻人为了电影噱头,于是出发作死去寻找神秘坟墓。然后他们遇到...恐怖的...香蕉!一场全球浩劫就此开始...

  • 黄粱一梦

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  • 索福克勒斯的安提戈涅

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      法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕,文本上采用了德国浪漫主义诗人荷尔德林的著名翻译,版本上则依照布莱希特40年代的改编,拍摄地点是西西里岛上塞杰斯塔的一座古罗马剧院遗址,拍摄时阳光明媚。影片背后文本的多层厚度赋予了本片以极强的现时性:就在拍摄当年的夏天,美军对伊拉克发起了第一轮进攻。这是一部关于教育公民不服从的作品。

  • 兵临城下

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      斯大林格勒战役中,瓦西里(裘德•洛 Jude Law 饰)是一个威震部队的神枪手。他的好枪法百发百中,令敌人闻风丧胆。  为了激励士气,树立榜样,瓦西里的战友——苏军文宣部军官丹尼洛夫(约瑟夫•费因斯 Joseph Fiennes 饰)在报纸上大量刊登瓦西里的英雄事迹,令瓦西里的形象更为高大。然而,坦妮娅(雷切尔•薇姿 Rachel Weisz 饰)的出现,让瓦西里和丹尼洛夫都同时迷恋上了这个飒爽女兵。但塔妮娅喜欢的是瓦西里,这让丹尼洛夫大为妒忌。  另一方面,德军派出了他们的狙击手康尼(艾德•哈里斯 Ed Harris 饰),让同是神枪手的他抗衡瓦西里。在硝烟弥漫的战场上,瓦西里和康尼开始了斗智斗勇的决斗。

  • 洋娃娃1973

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      故事讲述的是一个极度危险的精神病人从医院逃出,与常人无异般地在街上随意出入。在杀死一名女子后警方在医生的配合下终于找到了线索,与嫌犯展开了一场貌不惊人却暗藏乾坤的搏斗。

  • 司汤达综合征

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    恐怖片

      1817年,法国大作家司汤达来到意大利,在佛罗伦萨终日沉醉于文艺复兴时期的大师杰作。一天,他到圣十字教堂参观米开朗基罗、伽利略和马基雅维利的陵墓,刚走出教堂大门,突然感到头脑纷乱,心脏剧烈颤动,每走一步都像要摔倒。医生诊断这是由于频繁欣赏艺术珍品使心理过于激动所至,这种 因强烈的美感而引发的罕见病症从此被称为“司汤达综合症”。  直到今天,佛罗伦萨的医生仍会不时碰到“司汤达综合症”患者,病情严重的甚至要住几天医院。他们多半是狂爱艺术且极具鉴赏力的游客,野心勃勃,要在几天之内扫遍这座文艺复兴中心城市的艺术宝藏,结果却在接踵而来的视觉冲击中不堪重负。但意大利人对“司汤达综合症”有百分之百的免疫力,对他们来说,文艺复兴的辉煌,像空气一样无所不在,从幼年到迟暮,他们的生活里一直流动着达芬奇、米开朗基罗、拉斐尔那个天才时代的气息  电影中的女警官,和当年的司汤达一样,被乌菲齐美术馆美不胜收的藏品折磨得当场昏倒。佛罗伦萨警校肯定不设心理测试这一关,否则她无法毕业。而歹徒又怎么知道她有这个毛病?大概是阿金托透露给他的……

  • 极盗行动

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    喜剧片

      本片改编自一个真实的银行抢劫案。2006年,一群盗贼抢劫了位于阿卡苏索的里约热内卢银行,这被认为是历史上最著名、最聪明的银行抢劫案之一。他们抢劫银行所采用的方式和在那之后发生的一系列事情都让人惊讶不已。

  • 卡比利亚之夜

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    剧情片

      妓女卡比利亚(茱莉艾塔·玛西娜 Giulietta Masina 饰)一直梦想和自己的爱人过上甜蜜安稳的日子。然而,单纯善良的她在一开始就被男友骗光了钱,并被推入河中,差点丧命。即使遭遇如此羞辱,她还是对爱情充满希望。一次,她在街上偶遇一个刚和女友吵架的男演员,被他邀请 回家过夜。正当她受宠若惊、满心欢喜之际,男演员的女友上门求和,这让卡比利亚再次伤心欲绝。不久,她又在剧场遭遇到一位英俊男子的疯狂追求,起初她有点不自信,但最终还是接受了这位男子的求婚,并变卖所有家产,准备与未婚夫共赴美好新生活。然而,在途中她的未婚夫居然也露出骗子的本性,抢走了她的钱,并差点害死她。一无所有的卡比利亚疯狂痛哭,悲伤欲绝。她独自晃悠在路上,一群活泼的男女从身边经过,他们快乐地边走边唱,欢乐氛围让灰心的卡比利亚受到感染,她的脸上又露出了招牌式的笑容。  本片获得第30届奥斯卡最佳外语片,第10届戛纳电影节最佳女演员奖。

  • 终站

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    爱情片

      玛丽(珍妮弗·琼斯 Jennifer Jones 饰)在意大利度假时邂逅了名为乔班尼(蒙哥马利·克利夫特 Montgomery Clift 饰)的男子,两人之间相互吸引,很快就走到了一起,相互陪伴度过了快乐的两天。然而,快乐的日子都是短暂的,玛丽即将离开意大利前往巴黎,乔班尼劝说玛丽留下来,留在他的身边,可是固执的玛丽却去意已决,这让乔班尼非常的愤怒,他失手打了玛丽。  悲伤的玛丽准备搭上前往巴黎的火车,就在火车快要开动的时候,乔班尼出现了,他不顾危险穿越轨道来到玛丽的身边,他的举动感动了玛丽,两人重修旧好。虽然错过了这一班火车,但下一班火车很快就来了,留给两人的时间越来越短了。

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