最后的跳水

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　　From award-winning Lucía Puenzo, comes "Dive", starring Karla Souza in a dramatic tour de force performance in this story about the complexities of relationships when set against a backdrop where winning is defined as the ultimate dream

超能少年第五季

全8集

欧美剧

　　第五季 已确定是 最终季。　　时间设定于 风暴袭击 Wertham小镇的 一年后。

疾速天使

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　　“疾速天使” 系列是当今颇具影响、广受青少年喜爱的小说，作品将科幻与奇幻元素巧妙地融为一体，充满了速度感、悬疑感和冲击力。六个孩子被送入实验室接受残酷的基因改造，变成了长有翅膀拥有超能力的鸟孩。他们逃离、反叛，在残酷的试炼中发现他们的力量正是为了这个世界而存在。　　故事极像快速推进的大片，充满悬疑的故事、环环相扣的谜团、匪夷所思的超能力。不断切换的场景，第一人称的叙述方式，带读者迅速进入故事情境。让读者与六个孩子一起遭遇挫折、触摸感动，踏上探索生命真谛与未来命运的旅程！

爱在托斯卡纳

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　　当一位丹麦厨师前往托斯卡纳出售他父亲的生意时，他遇到了一位当地妇女，她激励他重新思考他对生活和爱情的态度。

对峙麻雀溪

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　　一场大规模枪击案后，七位民兵藏匿于一个木材仓库中，与此同时，一行人有了一个不安的发现：他们的军械库丢失了一支AR-15步枪，而这把武器的型号正与传闻中枪击案肇事者所用完全一致。担心当局已将他们与枪击案联系在一起，为了自身的安全，民兵们决定找出队伍中的叛变者交给警方。　　前任警察Gannon作为防止警方卧底渗透的安全调查员被派遣进入案件调查组。然而，一系列附近民兵传来的神秘信息使紧张的局势加剧，一场更大的阴谋逐渐浮出水面......

明日之屋

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Thefilmtellsfuturist,architect,andinventorR.BuckminsterFuller’sincrediblestorythroughtwoteenshopingtogetlaid,becomepunkgods,andsurvivehighschool.

无名

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　　墨西哥青年人帮派“拉马拉”手段凶残，占据着每天运送大量偷渡客的火车站。作为帮派份子，卡斯帕在执行任务期间却外出约会，并冒着被视为叛徒的危险隐瞒自己恋爱的事实，但女友仍在卡斯帕受处罚的聚会上出现，并被首领里马尔戈误杀。洪都拉斯少女塞拉长年在美国的父亲终于出现，为了能和亲人团聚，父女登上了偷渡的火车，火车路经拉马拉势力范围时，里马尔戈同帕斯卡攀车打劫，为救塞拉，帕斯卡将里马尔戈砍落车下。塞拉与帕斯卡萌生了情意，但他们前方是未知的旅途，而背后是帮派的追杀……　　本片获2009年爱丁堡国际电影节最佳新导演奖，2009年圣丹斯电影节导演奖、摄影奖。

La caída

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公牛犹斗

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　　影片讲述了在休斯顿的郊区，一个十几岁的女孩因母亲的监禁变得堕落，一个年迈的斗牛士努力在斗牛竞技场上站稳脚跟，这2个人形成了一种不太可能的关系纽带，并试图纠正各自的道路。

蓝色故事

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　　改编自Youtube原创剧集，讲述两个朋友在街头争斗中成为对手的故事。

弗兰妮·兰顿的自白

全4集

欧美剧

它探索了一个美丽而令人难忘的故事，讲述了一个女人为讲述自己的故事而斗争的故事。

邻家小侦探

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动漫电影

　　阿加莎是个古怪的小女孩，总是发明一些奇怪的监视设备，并自诩为侦探。跟随妈妈搬入新社区后，她接到了一单调查商店失窃的案件。很快阿 加莎锁定了嫌疑人：住在隔壁的文森特。她偷偷翻进文森特家里探查，不料被文森特发现。妈妈以刚搬进街区促进交流的借口让文森特教她轮滑。　　文森特每次下午便失踪一阵子，阿加莎经过跟踪、打听等手段，得知文森特曾经有个好朋友，她认为文森特在废弃的工厂绑架了那个小女孩。阿加莎想要劝服文森特，深感被误会的文森特在众人的指责下离家出走。　　妈妈认为阿加莎在说谎，关停了她的侦探所。仍沉迷在侦探身份的阿加莎看到文森特偷偷回家，悄悄尾随他，发现他进入商店偷了一些狗粮。文森特气愤的跑开，而手抱狗粮的阿加莎被误认为是商店小偷。　　阿加莎明白了一切，原来那个好朋友“小女孩”只是文森特的狗，他的哥哥对动物过敏，只好将狗狗送人，但文森特舍不得，又将其要了回来放到工厂里，偷那些狗粮也是不得已。生病的狗狗咬了文森特一口，阿加莎来到工厂，看到发烧的文森特，她急忙叫了救援，救了文森特和狗狗。　　文森特最终好了起来，将小狗送给喜欢狗狗的阿加莎，而阿加莎小侦探的名声也传播开来。

跳水2022

HD独家中字

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    来自屡获殊荣的 Lucía Puenzo 的“Dive”，由 Karla Souza 主演，在这个关于胜利被定义为终极梦想的背景下的复杂关系的故事中进行了一场戏剧性的绝技表演

弗兰妮·兰顿的自白第一季

更新至04集

欧美剧

　　It explores the beautiful and haunting tale about one woman's fight to tell her story.

狂风飞絮

HD中字版

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　　Jeff Dawson (Gary Cooper) is a hapless oil speculator in South America whose misadventures reunite him with an old friend, Ward 'Paco' Conway (Anthony Quinn). Unfortunately for Jeff, Paco's wife is bad-news, man-eating Marina (Barbara Stanwyck), the lover Jeff ran away from years ago, undoubtedly knowing that despite his lust for her, she was just no good. And now Jeff loves another woman, Sal (Ruth Roman).

明日之屋

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　　The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.

魔鬼的陷阱

DVD

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　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.