• 教父3

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      转眼间已经是1979年,第二代教父麦克•柯里昂(阿尔•帕西诺 饰)到了垂暮之年,为了灵魂的救赎,麦克慢慢结束家族的黑道事业,转投正当生意。  麦克的儿子托尼酷爱艺术,无意接手家族事业,迈克尔决定让大哥逊尼的私生子,火爆好色的文森(安迪•加西亚 饰)继承家业,当第三代教父。麦克的爱女玛丽(索菲娅•科波拉 饰)和文森相恋,遭到父亲的反对,父女渐渐疏远。  为了使家族资产合法化,麦克通过在梵蒂冈教廷的关系网,准备投资“屹立”集团,却遭到敌人的暗中阻挠,教皇的去世也让事情更加扑朔迷离。  麦克无奈之下,只能重新选择用暴力解决问题,他的亲人也被卷入了这场血雨腥风。

  • 音乐之声

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    玛利亚(朱丽·安德鲁斯饰)是一个年轻活泼的修女,喜欢在大自然下高声歌唱,所以她常常忘记了修道院里的规矩。院长认为玛利亚并不属于规矩严格的修道院。院长与众嬷嬷商量后,决定安排玛利亚到一位名叫特拉普(克里斯托弗·普卢默饰)上校家当家庭教师。上校的妻子去世多年,留下7个孩子,他要求对孩子严格管教。他告诉玛利亚在他家的家庭教师都做不长久,都是因为孩子的恶作剧。玛利亚果然也遭到了恶作剧,可是这位善良的老师并没有告诉他们的父亲,而是像个母亲一样照顾孩子,很快跟孩子打成一片。上校也渐渐在玛利亚的引导下改变了对孩子们的态度。上校与玛利亚之间发生了感情,他们完婚后回到了已被纳粹占领的奥地利,上校并不想为纳粹办事,一家人准备逃跑……

  • 沉眠之虎

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    The direction of The Sleeping Tiger was credited to Victor Hanbury, but this was actually a pseudonym for the blacklisted Joseph Losey, whose first British film this was. Alexander Knox stars as psychiatrist Clive Esmond, who believes that he can stem the criminal tendencies of young fugitive from justice Frank Clements (Dirk Bogarde). To this end, Esmond hides Clements in his own home. At first hostile towards the handsome crook, Esmond's wife Glenda (Alexis Smith) gradually warms up to her house guest, and before long she and Clements are casting lustful glances at one another. She intends to run off with Clements and make a new life for herself, when suddenly he decides that he actually wants to reform. If nothing else, The Sleeping Tiger is a fascinating precursor to the sexual tensions prevalent in Losey's later Harold Pinter adaptations. ~ Hal Erickson, Rovi

  • 车祸

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    史蒂芬是平民出身、经过苦学奋斗,成为英国牛津大学的教授。史蒂芬离开家去和昔日的女友重温旧梦,回来时看到同事查理和名叫安娜的女生在自己家里筑起爱巢,翻云覆雨。史蒂芬对安娜垂涎久矣,她是奥国的公主,很大的贵族。一天晚上,史蒂芬发现安娜出车祸晕厥,未婚夫威廉在她身旁身亡。史蒂芬悄悄地把安娜接到家中休养,并趁机占有了她,终于如愿以偿。事后,安娜黯然独自返回奥国,史蒂芬继续与妻子过十年如一日的单调生活。一切照旧,像是什么都没发生过似的。史蒂芬认为,安娜同查理的苟且,对史蒂芬来说是平民受贵族歧视的一个证明。后来,史蒂芬自己有机会和安娜温存,他那种报复式的快感得到尽情抒发。

  • 罗尔娜的沉默

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      罗尔娜(艾塔·多布雷西Arta Donbroshi 饰)通过一桩移民婚姻取得比利时合法居住权,她和她那个跑遍欧洲打工赚钱的阿尔巴尼亚男友索科尔(Alban Ukaj 饰)最大的梦想就是存钱合开一家酒吧。  瘾君子克劳迪(杰里米·雷乃 Jérémie Renier 饰)通过 与罗尔娜结婚帮她拿到比利时合法居民身份,同时他也从中间人费比奥(布里奇奥·罗吉恩 Fabrizio Rongione 饰)那里拿到一笔钱。中间人费比奥一边策划用过量毒品害死克劳迪的阴谋,一边和罗尔娜准备合作通过同样的方法使一个俄罗斯人成为比利时公民。在罗尔娜和克劳迪一起生活期间,居然生出几份温馨的感觉,汉尔娜决定尽快和克劳迪离婚从而让他免于一死。  克劳迪因吸食毒品过量而死,罗尔娜按照原计划进行的相当顺利,可是她却感觉自己怀孕了,而且她告诉费比奥孩子的父亲是克劳迪。  在2008年第61届戛纳电影节上,达内兄弟凭借此片获得主竞赛单元最佳编剧奖。

  • 两个情人

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    理纳德(杰昆•菲尼克斯 Joaquin Phoenix 饰)因病理原因被未婚妻抛弃后长时间无法解脱,居住在纽约父母公寓中的他曾多次尝试自杀。理纳德的父母正考虑与好友科恩一家搞干洗店联营,科恩家的大女儿...

  • 超人总动员2

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    在一次挖地超人制造的大混乱中,超人家庭大力神巴鲍伯(格雷格·T·尼尔森 Craig T. Nelson配音)和弹力女超人巴荷莉(霍利·亨特 Holly Hunter 配音)和他们的子女巴小倩(莎拉·沃...

  • 黑猫1972

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      A blind pianist tries to figure out who is responsible for a string of murders using a black cat with its caws dipped in curare.

  • 狂宴

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      皮默和史康多这对兄弟是从外地来到美国求生存的意大利裔美籍人,两兄弟在纽泽西开了一家意大利餐厅。两人最大的愿望就是藉著餐厅的开幕、顾客的光临,来赚更多的钱,实现他们的「美国梦」。虽然两兄弟对共同经营的事业抱著很大的野心,但却得不到顾客青睐;眼看顾客都进了别人的餐厅,自已餐厅却是面临倒闭收场,于是两兄弟想到一个好方法来挽救餐厅。他们费尽心思邀请名人,准备开个一场华丽晚宴,可惜,唯一美中不足的事还是发生了。

  • 克兰先生

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      故事发生在第二次世界大战期间,德军占领了巴黎,克莱恩(阿兰·德龙 Alain Delon 饰)被误认为是和他同名同姓的犹太人,他必须依靠自己的力量来证明血统,否则就将面临悲惨的命运。经过千辛万苦,克莱恩总算调查到了犹太人克莱恩的家庭住址,让他没有想到的是,这住址竟然直指他自己的家。  一切的线索表明,克莱恩似乎陷入了一个预谋已久的圈套之中,每一条他以为能够借此获得真相的线索,都如同蜘蛛丝一样的最终消散在了风中。虽然律师皮埃尔(迈克尔·朗斯代尔 Michael Lonsdale 饰)积极的帮助着克莱恩,但最终他还是没能够解开自己身世和这个名字之间的秘密。

  • 江湖白事

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      一个黑手党家族中,弟弟强尼因强奸少女被仇家击毙。大哥雷和二哥奇斯陷入失去手足的痛苦之中,他们千方百计寻找真相,终为弟弟洗清罪名。奇斯难以克制对弟弟的思念,开枪自杀。这个家族最后只剩下悲伤的女人们。

  • 秘密炸弹

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      故事发生在第二次世界大战结束之际,位于西西里的一座小镇中,居民们都沉浸在热烈的庆典气氛里,借着这个空档,魔鬼乔装打扮混入其中,来到了镇上照相馆主人切雷斯提诺(  Gennaro Pisano 饰)的家中,要求借住,善良的切雷斯提诺接待了他。魔鬼在切雷斯提诺店里的一台照相机上施了法术,所有被这台照相机拍摄到的人都将死亡。  发现了这一秘密的切雷斯提诺既害怕又兴奋,他将这个秘密告诉了镇上的神父和镇长,可是没有人愿意相信他所言,甚至认为他已经疯了。连连遭到否定和嘲笑,切雷斯提诺的内心渐渐黑化,他发现,这台相机可以帮助自己“惩恶扬善”。

  • 印度1959

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      本片分为四个部分,展开了对印度文化、建筑及社会状况之旅。当时的印度社区状况给导演罗西利尼留下了深刻的印象。

  • 追踪章鱼保罗

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      一条知道太多的章鱼,注定活不了太久。一块包藏着世界杯秘密的芯片,必然会决定很多人的生死。  国际赌球组织派出杀手连晋和田原找寻芯片的下落。连晋锁定了几个目标:中国足球界的几个著名人物:黄健翔,李承鹏,谢晖,张帅等人,由于各自的原因而卷入了此事,遭遇追杀,无力自拔。香港杀手连晋手拿钉枪,宁可错杀一千,不可放过一个,不达目的,誓不罢休。来自非洲部落的一条章鱼“旺财”拥有预测世界杯比分的功能,而其中的原因却与那块隐藏黑幕的芯片有密不可分的联系。旺财阴差阳错落在了李承鹏手里,他们陷入了更大的危险。  保罗和旺财到底有怎样的缘分?世界杯决赛前,章鱼保罗的预测现场,真的像看上去那样的公正公平公开吗,到底有多少黑幕能够回过头来揭开?他们真的能够逃脱国际赌球集团的陷害,还世界杯一个真相吗?

  • 暗流2000

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      《暗流》2000年9月27日在法国上映时好评如潮,首周观众人数就突破百万,并成为2000年法国卖座冠军大片。  丰富经验的巴黎警探皮耶(让·雷诺 Jean Reno 饰)来到大学城侦查被绞杀的尸体高悬在山崖上的离奇命案。经过一番调查后尼芒斯发现:这所著名学府历史悠久,人才 辈出,但校方为了推行精英观念,竟让教职员间世代通婚。与此同时,充满冲劲的当地年轻警察麦斯(文森特·卡索 Vincent Cassel 饰)则在小教堂追查20年前神秘失踪的少女,有人入侵了十八年前死于车祸的十岁女孩朱迪丝的墓室,并在那里涂画纳粹标志。看似孤立的两起案件却有着内在联系,于是两个办案风格大异其趣的人不得不变成搭档,联手侦破其中的秘密。经过层层抽丝剥茧,终于使隐藏在案件背后的真相浮出了水面。

  • 印第安墓地大屠杀

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      一群大学生在一个古老而阴森恐怖的庄园里住了一晚,才意识到一个可怕的缠扰者正在注视着他们的一举一动,因为他开始计划收回位于其内部的一处古老的美国原住民文物。

  • 震撼性教育

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    人前人后,罗杰(坎贝尔·斯科特CampbellScott饰)都尽职的扮演着花花公子的角色,无论走到哪里,他都对他那能让女人神魂颠倒的本领津津乐道。可惜,当现实照进梦想时罗杰才发现,一切并没有想象的那样美好。扬言勾搭上美女老板的他不过是老板的玩物,当老板一脚将他踹开的时候,他甚至都无权提出抗议。经历了如此打击,罗杰的生命激情眼看这就要暗淡下去,就在此时,他得知了外甥尼克(杰西·艾森伯格JesseEisenberg饰)即将来访的消息。尼克是个16岁的少年,对女人毫无经验的他就像一张崭新的白纸,这让罗杰重新燃起了斗志,因为他又可以在无知少年面前继续扮演他的情圣角色了。罗杰带着尼克出入各种声色犬马的香艳场所,穿梭在各式各样的美女之间,一夜过去,让罗杰没有想到的是,真正感到受益匪浅的竟然是他自己。

  • 驱魔任务

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      20世纪初欧洲的一个不知名的小镇上。为了调查一件离奇的谋杀案,请来了一位医生来为尸体解剖,查出究竟是怎么回事。医生在给尸体解剖后,镇上开始骚乱,一个接一个的死亡。

  • 无人可信

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    泰国剧

      富人的世界并不像看起来那么完美。它可能在短时间内变成真正的黑暗。当他们中的一个人开始一场人生游戏,导致一场谋杀并揭露那些黑暗秘密时,会发生什么?富人的世界并不像看起来那么完美。它可能在短时间内变成真正的黑暗。当他们中的一个人开始一场人生游戏,导致一场谋杀并揭露那些黑暗秘密时,会发生什么?

  • 铁面无私1987

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      30年代的芝加哥充满了混乱,黑道横行官商勾结,其中,要数掌握着私酒市场命脉的黑帮老大卡彭(罗伯特·德尼罗 Robert De Niro 饰)的势力最为强大。即使在这样黑暗的环境中,联邦探员纳斯(凯文·科斯特纳 Kevin Costner 饰)也依然怀抱着惩奸除恶的理想, 可是很快,现实便教会了他,在这个世界里,谁才是老大。  在老警探马龙(肖恩·康纳利 Sean Connery 饰)的帮助下,纳斯重拾了自信,他组织了一个专案小组,专门调查和打击卡彭的犯罪事业。在纳斯的努力下,小组的行动初显成效,可随之而来的,就是来自卡彭的威胁和迫害。组员被杀,马龙受伤,这一切的一切都不能使纳斯消沉,反而更加坚定了他除掉卡彭的决心,一场激烈的较量在正义和邪恶之间拉开了帷幕。

  • 无惧的爱

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      一段可怕难忘的经历,致使麦士活在阴影的恐惧下,原来,他遇上一次空难意外,虽然侥幸生还,但始终无法摆脱心魔。同时,另一生还者嘉莉也有着同一问题,他俩须经常接受心理辅导,但最后发觉只有互相扶持才能冲破生命中的障碍。

  • 意大利万岁1961

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      The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy.  Roberto Rossellini stated he was very more proud of this film than of any other film he ever made.

  • 不安

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      Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

  • 罗西塔

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      專題另一部默片來自德國的喜劇之王劉別謙,是他應美國傳奇女星瑪麗碧克馥之邀到荷里活執導的首部作品《風流歌女》(1923)。同是曲折的愛情故事,大師靈巧優雅的電影語言及自成一家的「劉別謙筆觸」,令美國觀眾為之傾倒。

  • 英格丽·褒曼口述实录

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      2011年,导演斯迪格·比约克曼应褒曼女儿伊莎贝拉·罗西里尼邀请,筹拍这部“关于妈妈”的纪录片。片中收录了大量褒曼生前的私人录像、笔记、书信等从未公开的珍贵资料。

  • 安迪·沃霍尔:时代日记

    已完结

    欧美综艺

      该片由监制瑞恩·墨菲和导演安德鲁·罗西共同打造,共六集,以惊人的信息量描述了安迪·沃霍尔的传奇故事,这些在他去世后出版的日记为我们提供了独特窗口,带领我们深入了解这位艺术家非凡的一生。剧集开篇讲述了他在匹兹堡的童年,追溯了沃霍尔令人难以置信的多彩旅程,他以(既受人推崇又遭痛斥的)艺术家、导演、出版商、电视制片人、博眼球者、名人等身份,在不同媒介和不同时代之间自由穿梭。虽然沃霍尔经常暴露在镁光灯下,但他从不对外透露自己的个人生活。该剧使用尖端人工智能技术合成他的声音,通过他自己的语言,带观众认识这位极其复杂的人,并介绍了他身边的工作、创作和演出伙伴,这些人陪伴他从颠覆期到主流时期,其中包括约翰·沃特斯和罗伯·劳。《安迪·沃霍尔:时代日记》由墨菲、丹·博朗、乔希·布劳恩、斯戴西·里斯、斯坦利·布赫塔尔共同担任监制,罗西担任导演,该片绝妙地印证了沃霍尔的信念,即想法无需永流传,但要创造能够永生的艺术。

  • 女巫1967

    DVD

    喜剧片

      "The Witch Burnt Alive"  After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.  "Community Spirit"  Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.  "The Earth Seen from the Moon"  The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.  "The Sicilian"  Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.  "A Night Like Any Other"  Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

  • 二十岁之恋1962

    DVD

    爱情片

      五位著名导演,各自执导了一段关于二十岁恋情的短片。  一、特吕弗《安托万与柯莱特》:《四百下》男主角安托万人生故事的延续,安托万暗恋上比自己年纪稍大的柯莱特,柯莱特却只把他当作弟弟般地看待,安托万的早恋就此无疾而终。  二、瓦伊达《华沙》:少女爱上了在动物园里见义勇为的男子,而力邀他参与家里的青年朋友聚会。不经意间,一些场景细节勾起了男子战时的记忆伤痕……  三、罗西里尼(无标题):可怜的下层女孩不甘心充当第三者,却被成熟老练的贵妇寥寥数语击溃了心理防线……  四、石原慎太郎(无标题):年轻的工人暗恋上气质非凡的女子,尽管每天都会在路上碰面,他却不敢有所表达而沉耽于幻想,被压抑的强烈欲望最终引发为悲剧。  五、马克斯•奥菲尔斯(无标题):借助于往昔青春岁月的甜蜜回忆,一对夫妇逐步修复彼此之间的关系裂痕。

  • 占有者

    HD

    科幻片

      讲述一个秘密组织的特工Tasya Vos利用大脑植入技术来“栖息”在他人的身体里,驱使他们为某些高薪客户执行暗杀任务。然而一次例行工作出了差错,她很快发现自己陷入了一个不知情的嫌疑犯的思想中,其对暴力的欲望导致她要和自己作斗争。

  • 悲伤之物理

    HD

    海外动漫

      Academy Award–nominated animator Theodore Ushev reaches a new level of artistry with a saga of childhood reveries and adult regrets that is also the first-ever fully animated film using encaustic painting.

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